As most projects differ greatly in requirement(s), we prefer to provide tailor rates suited to each request.
Please contact directly for location recording daily rates or equipment requests.


1 x Sound Devices 788T-SSD + Cl8

High-end 8 track recorder and mixer, featuring analog limiters, 6 analog outputs, 4 digital outputs, stable timecode. An industry standard in production mixing and recording.

1 x Sound Devices 744T

High-end 4 track recorder, featuring analog limiters, true line level input, stable timecode and a 500gb SSD. Excellent as low-track count recorder or backup recorder.


1 x Schoeps CMC6U + MK41

High-end supercardioid interior microphone for dialogue recording, with 60Hz lo-cut filter, pop-filter and boom suspension.

1 x Sanken cs-3e

High-end shotgun microphone, with Rycote windshield and dead-cat for high-wind locations.

1 x Shure SM58

Standard dynamic performance microphone with cardioid polar pattern.

1 x Shure SM57

Standard dynamic instrument microphone with cardioid polar pattern.


1 x Lectrosonics SRa5p

(Block 26) High-end dual channel receiver

2 x Lectrosonics UCR211

(Block 21) High performance forward-tracking receiver.

4 x Lectrosonics UM400(a) + Sanken cos11d

(Block 21/26) High quality single channel transmitter and lavalier


1 x Zaxcom QIFB

Director/Producer IFB, Timecode & Zaxnet Remote Transmitter

1 x Zaxcom ERX2TCD + Headsets

High quality Director/Producer IFBs with headsets. Can also be used a camera scratch with timecode.


2 x Tentacle Sync + Cables

Small sync box for camera mounting. Each includes cables to 5-pin (Arri), 4-pin (Red) & BNC (Ursa).

1 x Dumb Slate

Traditional dumb slate for manual syncing


1 x Zaxcom QRX900S + TRX900AAS

(Block 26) High-end receiver capable of receiving mono or stereo transmissions, with high-quality stereo transmitter. Can be used either as talent wireless or as a camera link.

1 x Sennheiser G3 Transmitter/Receiver

(Block B) Mono scratch track for post-production reference.


1 x K-Tek K225

572cm Professional Boompole with internal cabling

1 x K-Tek K110

250cm Professional Boompole

1 x K-Tek K89

200cm Professional Boompole


1 x C-Stand Boom Holder

Boom holder for static interviews.

4 x NeoPax Wireless Holders

High-quality wireless holders for comfortable placement on talent.


If you require any job that is not on this rate sheet, contact us and we can organise a personalised quote.


Basic (Adobe Audition)

Per Hour


Per Day


Advanced (Izotope Rx 5)

Per Hour



Stereo (Pro Tools 10)

Per Hour


5.1 (Pro Tools 10 HD)

Per Hour



Recordings will be captured at nearest relevant location with a Sound Devices 788T Recorder, unless specified otherwise.
*Expenses not includes

16-bit, 48kHz

$100 per hour

24-bit, 48kHz

$130 per hour

16-bit, 96kHz

$115 per hour

24-bit, 96kHz

$145 per hour

16-bit, 192kHz

$130 per hour

24-bit, 192kHz

$160 per hour

Payment Terms

Payment will be made in two segments:
25% no more than 3 days prior to initial shoot date
75% up to 14 days after final shoot date*

*with exception to shoots that run for more than 7 days, in which payment must be made fortnightly (14 days from initial shoot date)

Cancellation Note

If cancellations are made less than (and including) 3 days prior to initial shoot date, the initial 25% payment will not be refunded

+61 (03) 8899 7200
0420 966 754

1st Floor, 200 Union Road, Ascot Vale, 3032

Designed by SCI Productions || 2015 - 2018