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Drawing from my background in experimental music and audio design, the evolution to the realm of sound design was a natural one. Over the course of eight years, I have been actively engaged in projects such as short films, TV commercials, social media endeavours, and experimental videos. Through all of these endeavours, my expertise and nous as a sound designer has grown.
At the heart of sound design lies the essence of having a distinct creative vision, an ability to translate visuals into a living and breathing aural world. Stepping away from the confines of literal interpretations, I always endeavour to think beyond boundaries and envision the life of the character and what their existence comprises of. I am always excited to embark on new creative & unique projects.
Once the sound design is completed, I’m also available to assist in the mixing. Regardless of the requirements (Youtube, Netflix, Theatre) I have the calibration tools and knowhow to deliver a perfect mix for your project.
In my approach to foley, I predominantly rely on field sourcings, seeking inspiration and materials from the tangible world around us. When embarking on a new project, my preference is to venture out to places such as antique shops and rural towns, as they often hold remarkable resources for sound effects and ambience. By relying less heavily on online sources, the end result offers a strong sense of uniqueness and authenticity. This hands-on approach also ensures that the aural elements I capture are tailored exclusively to your project.
Within my repertoire of services, I provide a comprehensive range of noise-reduction solutions specifically designed to address problematic audio. Employing cutting-edge frequency analysis techniques, I am able to identify and eliminate the precise elements that are adversely affecting the track. I commonly assist in mitigating issues such as generation noise, lav rustle, ambient noise flaws, and clipping. With my experience in these areas, I can effectively restore the clarity and quality of your audio.
Depending on the format (TV, Feature, Shorts, etc) and types of work required on each projet I have slightly different rates and structures for billing.
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